Light,
Sky,
Color,
Details,
Freedom

Working with mixed media, I build densely textured surfaces through an intuitive and tactile process. I often use my hands directly, pressing, dragging, layering, and moving material across the surface. This physical contact is central to my practice. It allows the work to develop through touch, rhythm, pressure, and instinct, creating a direct relationship between body, material, and memory.

My paintings emerge through accumulation and transformation. Forms gather, dissolve, and reappear; colours collide and recede; surfaces shift between density and openness. At times, the works suggest petals, foliage, water, earth, or organic growth, yet they resist fixed representation.

I am less interested in describing a particular place than in giving form to what persists after experiencing it: fragments of sensation, atmosphere, movement, and memory. As an Iranian artist based in the UK, I am conscious of the ways memory and perception are shaped by movement between places, environments, and cultural contexts. Nature becomes, for me, both an immediate physical encounter and an internal space: something experienced in the present, yet layered with recollection, distance, and belonging.

Through painting, I seek a visual language for experiences that are difficult to articulate in words. Each work becomes a site where external landscape and internal memory meet, not as a record of nature, but as a translation of what nature leaves behind.